858 Picketston Hangar, RAF St. Athan, Vale of Glamorgan, Swan, Stratford-upon-Avon
is two years, almost to the day since Mike Pearson and Mike Brookes Aeschylus Brecon Beacons. Now they face a huge success for the new national touring theater Wales. They met Shakespeare
Coriolanus
with unfinished version of Bertolt Brecht's work and put it today, and the comedy crowd and not the watchful eye of celebrity worship . We used to stage an airplane hangar at RAF 1930 - a cathedral dedicated to the fight and flight - on the outskirts of Cardiff. They produced a memorable political and personal drama:. Rico strong and sound offers the experience is captured, overwhelmed and yet intimately spoken. Drifts public (which is a tower performance) in a vast and noisy, but trapped in a bubble of sound: listen to speech through headphones. Print job from the crowd, at first indistinguishable from members of public vans racing around the periphery in trailers informally onstage spectators become actors, waiting for news and analysis of the facts, quietly intensity. The whirlwinds of action through the building (divided only by a small masonry wall), sometimes wrongfooting an audience that may be looking elsewhere and do not always know where the speakers, speaking urgently in his ears, reality . Sometimes - a point on the news coverage is light but decisive - it is easier to see an event on giant screens that dominate the wall, to see the event live: things, after all, are more clear when confusion arose
inflexible iron, concrete and cement shed, where surfaces and sounds are very hard and rough, all the reasons for the action and the verse of a game was set up succinctly in to TS Eliot and forensic last year's film Ralph Fiennes. Fluorescent lighting increases the hardness, and when these bands suddenly darkened, dark, quilted by small red lights helmet public is both sweet and enigmatic: how we cope when it is not directed by the glare screens speech is uniformly excellent - for as spittingly clear therefore quite natural - it is not only false, but impossible to select a player at the peak above the other. Rings each output line, all the arguments about democracy, heroes, politicians hug home visits. Everyone plays together, as if their lives depended on it.
The result is an exceptional production that highlights several important points in the theater today. First, the site-specific theater does not necessarily mean that the word is overwhelmed by fear visual: the delivery of words can be as precise as exciting as a space in an indescribable. Secondly, we are in an era where Shakespeare is bitter sweet to our ears. Coriolanus
comes on the heels of the glorious rebirth of Olivier de
Timon of Athens
, a work whose exile, growling,'s Coriolanus is so similar to the two dramas are seen as two parts of a whole. Third, these offers brilliant National Theatre Wales (no you saw never forget
Coriolan / us , the need to take into account. They are under the baton as producers of premium Shakespeare. From more than one direction. They will not be helped by mashed together, hands on the ocean-production
Find best price for : --Troilus----Gregory----Shakespeare----Bertolt----Brecon----Brookes----Pearson----Mike--
ไม่มีความคิดเห็น:
แสดงความคิดเห็น